https://linyingchieh.com LIN YING CHIEH Tue, 30 Nov 2021 06:28:10 +0000 https://linyingchieh.com en https://linyingchieh.com/Running-on-Cargo Mon, 29 Nov 2021 05:27:53 +0000 LIN YING CHIEH https://linyingchieh.com/Running-on-Cargo Running on Cargo https://linyingchieh.com/22683457 Mon, 29 Nov 2021 05:27:53 +0000 LIN YING CHIEH https://linyingchieh.com/22683457 ︎ ︎ ︎ ︎ ︎&nbsp; zoe19940830@gmail.com <img width="1388" height="1225" width_o="1388" height_o="1225" data-src="https://freight.cargo.site/t/original/i/09e39960cb115888ee0833d53cbe536f35eb3415e2aea3849594ae1772a68e47/BS_-1.png" data-mid="206905271" border="0" src="https://freight.cargo.site/w/1000/i/09e39960cb115888ee0833d53cbe536f35eb3415e2aea3849594ae1772a68e47/BS_-1.png" /> https://linyingchieh.com/Works-1 Mon, 29 Nov 2021 05:27:52 +0000 LIN YING CHIEH https://linyingchieh.com/Works-1 <img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/125d511c4b85d32e4ccb46661517115a16a7c352f4f9af3cf6269f7c166e392f/index_-1.png" data-mid="206925997" border="0" src="https://freight.cargo.site/w/1000/i/125d511c4b85d32e4ccb46661517115a16a7c352f4f9af3cf6269f7c166e392f/index_-1.png" /> <img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/2f70992f91bfdd5332f92c6e40e40ab7b7c60242123b67544e54263dbf8e20e7/index-06.png" data-mid="206926003" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/2f70992f91bfdd5332f92c6e40e40ab7b7c60242123b67544e54263dbf8e20e7/index-06.png" /> <img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/56b178fe5b6150e9754d38c25d50e23bced10fb18af37da79b4d9f70b8d11c84/index-02.png" data-mid="206926007" border="0" src="https://freight.cargo.site/w/1000/i/56b178fe5b6150e9754d38c25d50e23bced10fb18af37da79b4d9f70b8d11c84/index-02.png" /> <img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/eab72d515058eba4f7e24a14ab58869efd624d20e0e4ddf022b83568b1291b18/index-04.png" data-mid="206926089" border="0" src="https://freight.cargo.site/w/1000/i/eab72d515058eba4f7e24a14ab58869efd624d20e0e4ddf022b83568b1291b18/index-04.png" /> <img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/492e9984a317d14941f10e8fbfbcc8e0d1964ac1e055fff89c0434365118bc59/index-03.png" data-mid="206926102" border="0" src="https://freight.cargo.site/w/1000/i/492e9984a317d14941f10e8fbfbcc8e0d1964ac1e055fff89c0434365118bc59/index-03.png" /> <img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/32c57f655803b99999af0b455c15eafb7af7c7061972f4a0ff8cd69683f7d05d/index-07.png" data-mid="206926116" border="0" src="https://freight.cargo.site/w/1000/i/32c57f655803b99999af0b455c15eafb7af7c7061972f4a0ff8cd69683f7d05d/index-07.png" /> <img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/478c72632cc1ca0ba333a2e07917e165f38f1e2c9b606fa048545bfca1c520a3/index-05.png" data-mid="206926120" border="0" src="https://freight.cargo.site/w/1000/i/478c72632cc1ca0ba333a2e07917e165f38f1e2c9b606fa048545bfca1c520a3/index-05.png" /> <img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/b9d3f402871cbca5b02a900792be0db9ff9933a4bee983bdca231d82d606d59a/index-10.png" data-mid="206926162" border="0" src="https://freight.cargo.site/w/1000/i/b9d3f402871cbca5b02a900792be0db9ff9933a4bee983bdca231d82d606d59a/index-10.png" /> <img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/1a69ae847deb6956674608ef864688315db2463d808e06df320d087fbe75ffba/index-08.png" data-mid="206926160" border="0" src="https://freight.cargo.site/w/1000/i/1a69ae847deb6956674608ef864688315db2463d808e06df320d087fbe75ffba/index-08.png" /> <img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/bbff24449ece91ec18a7f9c2e812ad9de230d3f4ee76528ea82dd704c53af9ae/index-13.png" data-mid="206926164" border="0" src="https://freight.cargo.site/w/1000/i/bbff24449ece91ec18a7f9c2e812ad9de230d3f4ee76528ea82dd704c53af9ae/index-13.png" /> <img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/4b55180febb466611a9015f2c01c67e04f15e8248856345b97319605e37c605b/index-12.png" data-mid="206926170" border="0" src="https://freight.cargo.site/w/1000/i/4b55180febb466611a9015f2c01c67e04f15e8248856345b97319605e37c605b/index-12.png" /> <img width="2500" height="2430" width_o="2500" height_o="2430" data-src="https://freight.cargo.site/t/original/i/b7c570cd493348ecaa884450bc6f6cabb1d5777a4a4e4cd46d124728a3dd0fbe/index-15.png" data-mid="206926185" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/b7c570cd493348ecaa884450bc6f6cabb1d5777a4a4e4cd46d124728a3dd0fbe/index-15.png" /> <img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/4e4bff0127ec4b486f3225b632f9da182f606405b0d244d75343da9172eed7ce/index-16.png" data-mid="206926191" border="0" src="https://freight.cargo.site/w/1000/i/4e4bff0127ec4b486f3225b632f9da182f606405b0d244d75343da9172eed7ce/index-16.png" /> <img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/4153f125d5aec6dbdd06edba9f547f2638e4b15e6aaf5d1afa606d8ba88a0fa0/index-17.png" data-mid="206926197" border="0" src="https://freight.cargo.site/w/1000/i/4153f125d5aec6dbdd06edba9f547f2638e4b15e6aaf5d1afa606d8ba88a0fa0/index-17.png" /> https://linyingchieh.com/maybe Tue, 30 Nov 2021 03:56:49 +0000 LIN YING CHIEH https://linyingchieh.com/maybe ︎︎︎ video&nbsp; &nbsp; &nbsp; ︎︎︎ press <img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/faf9ce3d979371f3449aeea6f03307c38e951035f192ca854449ca94f2f63123/11539086_738914452884563_6350997713261989431_o.jpg" data-mid="126133237" border="0" src="https://freight.cargo.site/w/1000/i/faf9ce3d979371f3449aeea6f03307c38e951035f192ca854449ca94f2f63123/11539086_738914452884563_6350997713261989431_o.jpg" /> <img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/c3e73456d2ec696e858a7cc9d2f28f29239a9910e0f3cb8efdf223c65b2c653b/IMG_0705.jpg" data-mid="126133232" border="0" src="https://freight.cargo.site/w/1000/i/c3e73456d2ec696e858a7cc9d2f28f29239a9910e0f3cb8efdf223c65b2c653b/IMG_0705.jpg" /> <img width="1218" height="807" width_o="1218" height_o="807" data-src="https://freight.cargo.site/t/original/i/c722c3f2e15136edaea7b96251b20fd7c6e6582acee9e530d9e6385b6fd65dec/-2015-07-04-11.26.11.png" data-mid="126133226" border="0" src="https://freight.cargo.site/w/1000/i/c722c3f2e15136edaea7b96251b20fd7c6e6582acee9e530d9e6385b6fd65dec/-2015-07-04-11.26.11.png" /> Maybe nothing happened on the opposite side of the playground, but I was in a happy mood painting ; performance recording dimensions variable, 5’40’’ 2015 The exhibition space was originally a temporary office of a construction company. It faces a sports field of an elementary school. On the back of the space is the usual scenery of a small alley. The only thing worth mentioning is the well-organised vegetable garden which looks like a wasteland if not observe carefully. I stood outside the window and started sketching on the only interface (the window) that opened out in the space. The back alley's scenery had undergone a freehand change in the realistic depiction of colours and shapes, like a landscape postcard held in the palm of my hand which made familiar things become distant. The sketching action named "Maybe nothing happened on the other side of the sports field, but I was in a great mood" is a self-contradictory plot in itself, becoming a rehearsal of how I had come and then chose to leave. ︎ 也許操場的對面什麼事也沒有發生，但我心情愉快 繪畫；行為紀錄尺寸依場地而定，5’40’’ 2015 展場原為某建築公司的臨時辦事處，面朝某座國小操場，背後則是再尋常不過的後巷風景，值得一提的只有那一塊看似荒地，仔細觀察後才發現是片受到居民妥善整理的菜園。那菜園並不單屬於某戶人家，而是由附近的居民共同耕植而成，我還記得第一次通過狹長灰白的建築體，走向窗邊一望、視野便咻地—掉入一片綠意的違和感。 我站在窗外將空間中唯一向外開展的的介面（窗戶）上寫生，後巷的景色便在色與形的寫實描繪中產生了寫意的變化，彷彿一張握在手心的風景明信片，將熟悉的事物變得遙遠。而被命名為「也許操場的對面什麼事情也沒有發生，但我心情愉快」的寫行動本身就是個自我矛盾的情節，成了一場我曾來過而後選擇離開的預演。 https://linyingchieh.com/the-section Tue, 30 Nov 2021 04:06:07 +0000 LIN YING CHIEH https://linyingchieh.com/the-section ︎︎︎ video1 &nbsp;&nbsp; &nbsp;&nbsp;︎︎︎ video2 <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/d0b31dca6ce5856c5981ccefa14c3481ea48b81ff868431851390aa0d38d15d1/2.jpg" data-mid="126134832" border="0" src="https://freight.cargo.site/w/1000/i/d0b31dca6ce5856c5981ccefa14c3481ea48b81ff868431851390aa0d38d15d1/2.jpg" /> <img width="6861" height="9675" width_o="6861" height_o="9675" data-src="https://freight.cargo.site/t/original/i/8a3d9ccee6599e22f26ba37a2266bbf2ec4c49913c501105d65c5348ce0dcc99/1.jpg" data-mid="126134831" border="0" src="https://freight.cargo.site/w/1000/i/8a3d9ccee6599e22f26ba37a2266bbf2ec4c49913c501105d65c5348ce0dcc99/1.jpg" /> <img width="10000" height="6697" width_o="10000" height_o="6697" data-src="https://freight.cargo.site/t/original/i/5016fdaccfd654286b8a775f6471728e8e5787f37929b64fb81f4414d4fae43b/3.jpg" data-mid="126134833" border="0" src="https://freight.cargo.site/w/1000/i/5016fdaccfd654286b8a775f6471728e8e5787f37929b64fb81f4414d4fae43b/3.jpg" /> <img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/de95bc154c19650e959100c290149b75eaebc2f3ad14a9d1668d12ea1009e807/IMG_1664.jpg" data-mid="126134844" border="0" src="https://freight.cargo.site/w/1000/i/de95bc154c19650e959100c290149b75eaebc2f3ad14a9d1668d12ea1009e807/IMG_1664.jpg" /> <img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/574e8d08edfe1f47f8de459d362c2474b893f2e15ed8cbd449dcea01e346c75a/6.jpg" data-mid="126134843" border="0" src="https://freight.cargo.site/w/1000/i/574e8d08edfe1f47f8de459d362c2474b893f2e15ed8cbd449dcea01e346c75a/6.jpg" /> <img width="7000" height="10303" width_o="7000" height_o="10303" data-src="https://freight.cargo.site/t/original/i/0a2f39148214e586c54927ea7f147dfe66076b67f521b0788997771fe1185a7b/5.jpg" data-mid="126134842" border="0" src="https://freight.cargo.site/w/1000/i/0a2f39148214e586c54927ea7f147dfe66076b67f521b0788997771fe1185a7b/5.jpg" /> <img width="3264" height="4000" width_o="3264" height_o="4000" data-src="https://freight.cargo.site/t/original/i/4fc23ae9c27ce57f1a5797910a33a0dfc10822fb383f1a145614e5bad3196179/4.jpg" data-mid="126134841" border="0" src="https://freight.cargo.site/w/1000/i/4fc23ae9c27ce57f1a5797910a33a0dfc10822fb383f1a145614e5bad3196179/4.jpg" /> The Second Highest Section "The Second Highest Section" is LIN’s first solo exhibition held in the academy. The "Second Highest" in the name of the exhibition does not point to a specific position but a rhetoric relative to an absolute "core." At the same time, the "section" is a longitudinal cut from this extension. The vertical surface of the section not only creates a close experience to the objects but also regards as a process of getting along with questions before having “the answers" from the core. Section I black iron, scout rope, wooden boards, picture tube, footprints on the wall and two sets of single-channel video dimensions variable, 22’48’’,12’19’’ 2015 In "Section One", I designed a large swing device that fits the exhibition room's entrance size and performed it on the device.During the process, I was swinging barefoot between the exhibition room's entrance and the wall on a swing. When I was about to hit the wall, I kicked the wall with my body's strength, and through the recording video, the current behaviour could be repeated over and over again in the exhibition hall. Section II black iron, wooden boards, metal handles, paint, and sensor lights dimensions variable 2015 "Section two" takes the seesaw movement and transforms it into a path of constant space. At the static moment, the audience can observe the tilting state formed by the direction of the seesaw's fulcrum: one end raises, and the other end is deeply submerged into the dark space. When the audience operates the seesaw to balance, the room at the other end will be illuminated by the sensor device, as if it is about to reveal the original invisible uneven placement to the audience. However, the other end of the seesaw had already been painted to make it look the surrounding space. Through this outcome, the audience's eyes are like driving in a dark tunnel for too long, the appearance of things on the other end is evaporated in the light, making it impossible to distinguish. ︎ 「次高的剖面」是首次於學院內舉行的個展，展名中的「次高」並非指向著什麼明確的位置，而是相對於某種「核心」的修辭，而「剖面」則是由此所延伸出來的一道縱切。這道縱切除了直面在創作中貼近某對象的經驗，也將它視為在得到包覆於核心之中的「答案」之前，與問題相處的過程。 剖面一黑鐵 、童軍繩 、木板 、映像管；牆上的腳印，單頻道錄像兩件一組 依場地而定；影片長度 22分48秒、12分19秒2015 在「剖面一」裡，我設計了一個貼合展間入口尺寸的大型鞦韆裝置，並在裝置上進行表演。過程中我赤著腳、乘著鞦韆擺盪於展間入口間，並在即將撞擊到牆面時，用身體的力量於牆面進行踢蹬的動作，並藉由影像紀錄讓當下的行為得以反覆地播送在展場之中。 剖面二黑鐵 、木板 、金屬把手、顏料；感應燈依場地而定2015 「剖面二」挪用了蹺蹺板的運動狀態並將其改造為一道恆量空間的路徑，在靜止的時刻，觀眾可以清晰地觀察到蹺蹺板支點的游移所形成地傾斜狀態，一端高高翹起，另一端則深深地沒入漆黑的空間之中。而當觀眾將蹺蹺板操作至平衡時，彼端的空間便會藉由感應裝置倏地點亮，好似即將為觀眾揭曉那原先不可見的質量分配般，只是蹺蹺板的另一端早已塗上了與原空間相近的色調，觀眾的眼睛就像在漆黑的隧道中行駛過久，另一頭事物的形貌反而蒸散於光線之中，無法辨別。 https://linyingchieh.com/slow-down Tue, 30 Nov 2021 04:12:39 +0000 LIN YING CHIEH https://linyingchieh.com/slow-down ︎︎︎ video <img width="720" height="536" width_o="720" height_o="536" data-src="https://freight.cargo.site/t/original/i/4818e0d724f6f75c6338790b98af5487919dbc4e557bcb99e73690a33f0e1329/-2017-01-16-5.33.46.png" data-mid="126136722" border="0" src="https://freight.cargo.site/w/720/i/4818e0d724f6f75c6338790b98af5487919dbc4e557bcb99e73690a33f0e1329/-2017-01-16-5.33.46.png" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/d5ab4f7c19be1c9df77f1b2e0bc520703ecc231a2ec55a741a0afc3bc20bea11/DSC_0727.jpg" data-mid="126136732" border="0" src="https://freight.cargo.site/w/1000/i/d5ab4f7c19be1c9df77f1b2e0bc520703ecc231a2ec55a741a0afc3bc20bea11/DSC_0727.jpg" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/fe44c7f4c4a493b085432d4677e7336cb3e16efc10ee004d8544bb34052f60e3/DSC_0738.jpg" data-mid="126136735" border="0" src="https://freight.cargo.site/w/1000/i/fe44c7f4c4a493b085432d4677e7336cb3e16efc10ee004d8544bb34052f60e3/DSC_0738.jpg" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/95a630a0573cc857b6dd43aa06f72a85153df197599e30dd77b7dbb6b2f33138/DSC_0758.jpg" data-mid="126136885" border="0" src="https://freight.cargo.site/w/1000/i/95a630a0573cc857b6dd43aa06f72a85153df197599e30dd77b7dbb6b2f33138/DSC_0758.jpg" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/63ceda56876bf3cbb90628e8c635ec7d69e600fad167fd5bdfc9580824a02978/DSC_0748.jpg" data-mid="126136876" border="0" src="https://freight.cargo.site/w/1000/i/63ceda56876bf3cbb90628e8c635ec7d69e600fad167fd5bdfc9580824a02978/DSC_0748.jpg" /> Slow Down escape sling parts, cloth horse harness, motor; single-channel video dimensions variable, 45’’ 2017 The beginning of the story is that I found a rusty escape sling located on the leisurely second-floor balcony. When I was picturing the possibility of people using this object, I accidentally discovered an animation video that the fire department made: a man with a horse face (? ) demonstrates how to use the escape sling to get out of the fire scene. Such amiable and even ridiculous image shows the immeasurable and unimaginable distance between us and the disaster, so the escape sling continues to have an undetectable oxidizing effect along with the air flowing on the balcony. I disassembled the escape sling, scattered its parts along the escape path on the second floor, and then tied the disc that was supposed to throw out from the balcony to the door with a motor. It becomes the first contradictory role to the people in the building. The disc would then keep pushing against the door leading to the balcony, trying to alarm that something is happening. After the audience pushing the door, the cloth horse mask would be pulled up and become the second contradictory role. Synchronizing with the surveillance screen next to the door, the remake escape-sling-demonstration animation video is broadcasted. While the "horse" performs each step, the background is replaced with the corners or details of the space where the audience is. I tried to put the above-mentioned continuous actions back into the original escape path. Still, the unsuccessful disaster is like Déjà vu, becoming an eternally belated punch line in life. ︎ 緩降 緩降機部件、布製馬頭套 、馬達；單頻道錄像依場地而定；45’’2017 故事的開始是一台生鏽的緩降機座落於悠閒的二樓陽台，在我想像著這個東西被使用的可能性時，意外的發現消防局所製作的：一隻人身馬面的男子（？）示範如何運用緩降機逃離火災現場的教學動畫。這樣親切甚至帶點荒謬的形象，恰好顯示了我們與災難之間，那無法估量和想像的距離，於是緩降機就這樣跟著陽台流動的空氣一起、繼續起著無法被人發覺的氧化作用。 我將緩降機拆解，將其零件散落在二樓的逃生路徑上，並把原本應向外拋出的圓盤，反之向建築物內活動的人們拋出第一個矛盾的角色，並不斷地推撞著通往陽台的門，通過門之後， 布製的馬頭套將被拉起是為第二個角色，和門口旁的監視銀幕同步，播送著重新後製過的緩降機使用教學動畫，在「馬」去操演每個步驟的同時，將背景置換為觀眾所處空間之角落或細節。我試著將上述的連續動作放回原初的逃生路徑裡，而未果的災難就像既視感般，成為生活中永遠遲到的梗。 https://linyingchieh.com/Min-de-Garden-2017 Tue, 30 Nov 2021 05:14:01 +0000 LIN YING CHIEH https://linyingchieh.com/Min-de-Garden-2017 ︎︎︎ press <img width="8226" height="4800" width_o="8226" height_o="4800" data-src="https://freight.cargo.site/t/original/i/fcdab01145d1f7e619f1ccfa44c78088582be28960d92a403db4890646c31139/9.jpg" data-mid="126136966" border="0" src="https://freight.cargo.site/w/1000/i/fcdab01145d1f7e619f1ccfa44c78088582be28960d92a403db4890646c31139/9.jpg" /> <img width="4266" height="2845" width_o="4266" height_o="2845" data-src="https://freight.cargo.site/t/original/i/07d1f01de9b32866e0640c6d1cab62b6b69115a46deedc6ba93ef68b01e74faa/4.jpg" data-mid="126136967" border="0" src="https://freight.cargo.site/w/1000/i/07d1f01de9b32866e0640c6d1cab62b6b69115a46deedc6ba93ef68b01e74faa/4.jpg" /> <img width="3000" height="4000" width_o="3000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/da80690721213d4f5df087eaaab37a5ea717e80729f31e601ea7bba686217344/5.jpg" data-mid="126136970" border="0" src="https://freight.cargo.site/w/1000/i/da80690721213d4f5df087eaaab37a5ea717e80729f31e601ea7bba686217344/5.jpg" /> <img width="2845" height="4266" width_o="2845" height_o="4266" data-src="https://freight.cargo.site/t/original/i/9ce50306c221e50b4b57e0429161e8cd4dba81bd28b677cdc254008068dcc6ee/3.jpg" data-mid="126136968" border="0" src="https://freight.cargo.site/w/1000/i/9ce50306c221e50b4b57e0429161e8cd4dba81bd28b677cdc254008068dcc6ee/3.jpg" /> <img width="4800" height="8533" width_o="4800" height_o="8533" data-src="https://freight.cargo.site/t/original/i/852103ac2240b4171ac4c2cb8f272c297e4c7b5000b34b141fba924e34af6a23/8.jpg" data-mid="126136978" border="0" src="https://freight.cargo.site/w/1000/i/852103ac2240b4171ac4c2cb8f272c297e4c7b5000b34b141fba924e34af6a23/8.jpg" /> Min-de Garden FRP, wooden seats, iron racks, vases, tablecloths dimensions variable 2017 I set up three-dimensional casting small flowers in the area between the gallery and the guardrails, and in a vase behind the floor-to-ceiling windows, trying to bring the flat white flowers on the blue background up to different levels of viewing and experience. Whether facing inward or outward, existing for real or just abstract, the “present” garden was built in the neat and uniform landscape here. ︎ 民德花園 FRP、木座、鐵架、花瓶、桌巾依場地而定2017 我在畫廊與工地護欄間的腹地，和落地窗身後的一只花瓶內，佈滿了翻製成立體的小花，試著將的扁平的藍底白花拓展出不同層次的觀看和體驗，不論向內或朝外、實存或抽象，都試圖從此地整齊劃一的風景內，翻折出一座遙望「當下」的花園。 ︎︎︎ Min-de Garden（2021）&nbsp; &nbsp; &nbsp; &nbsp;︎︎︎ 民德花園（2021） https://linyingchieh.com/roofless Tue, 30 Nov 2021 05:16:04 +0000 LIN YING CHIEH https://linyingchieh.com/roofless ︎︎︎ press <img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/a91912bba897b839aec6462f6a018d437d14fcdc2dbe8ddab880acd6fa968879/18426402_10210862350808762_1083951694_o.jpg" data-mid="126137118" border="0" src="https://freight.cargo.site/w/1000/i/a91912bba897b839aec6462f6a018d437d14fcdc2dbe8ddab880acd6fa968879/18426402_10210862350808762_1083951694_o.jpg" /> <img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/7c11411595b25b4b20befc0a4f6454f46840c3eb0f9e339f6e4441e22d545001/-.jpg" data-mid="126137120" border="0" src="https://freight.cargo.site/w/1000/i/7c11411595b25b4b20befc0a4f6454f46840c3eb0f9e339f6e4441e22d545001/-.jpg" /> <img width="1849" height="1359" width_o="1849" height_o="1359" data-src="https://freight.cargo.site/t/original/i/cb051556e8f05852f8f353e433337dfe5372c6103b94aea12b55a26eaa488e55/-2.jpg" data-mid="126137123" border="0" src="https://freight.cargo.site/w/1000/i/cb051556e8f05852f8f353e433337dfe5372c6103b94aea12b55a26eaa488e55/-2.jpg" /> <img width="5207" height="3372" width_o="5207" height_o="3372" data-src="https://freight.cargo.site/t/original/i/b147e469a331d0e89e8e1f815180f7c7d1e480014992eb632228e770a3f26fc5/.jpg" data-mid="126137127" border="0" src="https://freight.cargo.site/w/1000/i/b147e469a331d0e89e8e1f815180f7c7d1e480014992eb632228e770a3f26fc5/.jpg" /> Roofless Way TOGO cement, wood, mirrors dimensions variable 2017 From the urban area to the countryside, the long horizon of the later gradually replaces the vertical lines of the buildings along the way. I brought this experience into an abandon roofless cement bungalow in Tu-Go. By building proportional stairs under the walls on two sides of the house, the audience are allowed to go upstairs and get close to the space's remaining “lines.” I inlaid trapezoid mirrors under the walls across each other. The left and right mirrors extend the area infinitely so that the abandoned farmhouse has no other purposes, only remains to learn how to live in the idle countryside. It then leads to a question: How does the kinetic energy in the community development continue to exist between foreign and local, leaving and staying circumstances? ︎ 沿途沒頂 水泥 、木材 、鏡子尺寸依場地而定2017 從市區到農村，沿途建物的高低垂直線，逐漸被鄉野綿長的地平線取代。我將此經驗帶進一棟閒置的無頂水泥房。於平房兩側的山牆面構築了一對等比樓梯，讓觀眾隨著腳步走上樓梯，去感受、貼近空間（荒一段時日之後）剩餘的線條。我在山牆的底下分別鑲嵌了一面梯形的鏡子，左右兩面鏡子倆倆相對將空間無限延展，讓廢棄的農舍不做其他用途，而是學習如何在閒散的農村時光中自處，思考藝術作為營造社區的動能是如何在外來與在地，去與留之間持續存在？ https://linyingchieh.com/dog-person Tue, 30 Nov 2021 06:01:59 +0000 LIN YING CHIEH https://linyingchieh.com/dog-person <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/f5769a41067c4b6d00bbf78f61bbfd583cfd7013eca5276a646f6ee6e8b5de11/IMG_0009.jpg" data-mid="126138860" border="0" src="https://freight.cargo.site/w/1000/i/f5769a41067c4b6d00bbf78f61bbfd583cfd7013eca5276a646f6ee6e8b5de11/IMG_0009.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/68710f5f833fb61677f4962362547cdc18854fe93699a984d8cc694cb713dd98/IMG_0023.jpg" data-mid="126138867" border="0" src="https://freight.cargo.site/w/1000/i/68710f5f833fb61677f4962362547cdc18854fe93699a984d8cc694cb713dd98/IMG_0023.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/be3a7129d85015c81918e4fe8df58e11bbf2959161f37d18b5d7e89d683f50ba/dog-person2.jpg" data-mid="126138868" border="0" src="https://freight.cargo.site/w/1000/i/be3a7129d85015c81918e4fe8df58e11bbf2959161f37d18b5d7e89d683f50ba/dog-person2.jpg" /> <img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/883f5abdd987ce2b42f738a9e776a6786505ec38bd4b97b9fd2146b6bac8f832/IMG_0018.jpg" data-mid="126138877" border="0" src="https://freight.cargo.site/w/1000/i/883f5abdd987ce2b42f738a9e776a6786505ec38bd4b97b9fd2146b6bac8f832/IMG_0018.jpg" /> dog person acrylic, fiberglass rod, pet toy ball, cement paint; deceleration motor site-specific installation 2018 The work's inspiration is from the escape sign above the entrance of the gallery. Before art works arrive in the space, the little green man of the escape sign becomes the only identifiable visual image in the white box, like a bad joke.&nbsp; I painted the first half of the space with green colour and combined it with a pet toy ball, a motor, and a puppy-running device. With the addition and extension of objects on the exhibition floor, the audience's viewing angle would be continually changing, and the ambiguity further challenges the scene of "viewing" in the field of visual arts.︎ dog person 壓克力、玻璃纖維棒、寵物玩具球、水泥漆；減速馬達 依場地而定 2018 作品由空間出入口上方的逃生標誌作為發想，在作品尚未進駐前，小綠人的逃跑身姿便成了白盒子中唯一可辨識的視覺圖像，彷彿一個冷笑話的場景。我將空間的前半段塗滿了大面積的綠色漆料，並結合玩具球、馬達與小狗奔跑的動力裝置，隨著展場物件的添加與延伸，使得觀者在觀看事件的視角不斷變換而模糊，進而挑撥著視覺藝術領域裡，關於「看」的現場。 https://linyingchieh.com/Three-quarters-Arc-2019 Tue, 30 Nov 2021 06:28:10 +0000 LIN YING CHIEH https://linyingchieh.com/Three-quarters-Arc-2019 <img width="8688" height="5792" width_o="8688" height_o="5792" data-src="https://freight.cargo.site/t/original/i/3416903068eb0a2b28ec5d4dc7e13dd17a8d44369b40f690c7b11cb8a4ee1d74/IMG_0008.jpg" data-mid="126137871" border="0" src="https://freight.cargo.site/w/1000/i/3416903068eb0a2b28ec5d4dc7e13dd17a8d44369b40f690c7b11cb8a4ee1d74/IMG_0008.jpg" /> <img width="8688" height="5792" width_o="8688" height_o="5792" data-src="https://freight.cargo.site/t/original/i/3969aa099ad0b5f0b87bab3cd514eb710263ae4094b71c5f1acbbad061793a62/IMG_0006.jpg" data-mid="126137870" border="0" src="https://freight.cargo.site/w/1000/i/3969aa099ad0b5f0b87bab3cd514eb710263ae4094b71c5f1acbbad061793a62/IMG_0006.jpg" /> <img width="8688" height="5792" width_o="8688" height_o="5792" data-src="https://freight.cargo.site/t/original/i/51ff96a7de96569e92cf972ddfbf9608330badbc62a03b0192498da276b825d1/IMG_0029.jpg" data-mid="126137872" border="0" src="https://freight.cargo.site/w/1000/i/51ff96a7de96569e92cf972ddfbf9608330badbc62a03b0192498da276b825d1/IMG_0029.jpg" /> Three-quarter arc wooden base, white paint, silicone, mirror, water, motor size radius 120cm, height 95cm 2019 In the summer of 2017, reminiscing about a past encounter at an art gallery, I came across a replica of Duchamp's "Fountain". Its smooth, semi-circular form was encased in pristine glass, adorned with a signature in the lower right corner. It seemed both specimen and sepulcher of art. Upon returning to Taiwan, away from the dispersing halo of art history, I found myself pondering the dynamics of viewing and being viewed, questioning and answering, amidst barren exhibition spaces. Through whimsical, ritualistic forms and elements, and employing the gentle materials of water and light, I attempted to unfurl the originally smooth, rigid objects. Under the sculpting influence of mirrors, it resembled a flawless white fountain at first glance. However, as viewers moved, the integrity of the pool gradually dissolved amidst the visual and imaginative discrepancies. Imagine the "blankness" awaiting narrative no longer confined by boundaries, experiences no longer easily depicted by visual memory. ︎ 一分之三弧 木座、白漆、矽利康、鏡子、水、馬達半徑120公分，高95公分 2019 回憶2017年的夏天，我在美術館內遇見了杜象〈噴泉〉的複製品，光滑半圓的造型被安置在完好的玻璃箱裡，配上右下角的簽名，像是標本、也像是藝術的一座墳。而離開發散的藝術史光暈回到台灣後，總是在凝視著空無一物的展場時，思考觀看與被觀看、問題與回答。我試著透過一些奇想的、帶有儀式性的造型與元素，並透過水與光這樣溫潤的材質將原先平穩、硬質的物件攤散開來，而雕塑在鏡像的作用下，乍看就像一個完好無缺的白色噴泉。但隨著觀者腳步的移動，水池的完整漸漸在視覺與想像的誤差下瓦解。試想那些等待被敘述的「空⽩」不再為邊界所框取，擁有的經驗也可能不再輕易地被視覺的記憶所描繪。 ︎︎︎ Three-quarter arc（2022-2023）&nbsp; &nbsp; &nbsp; ︎︎︎ 一分之三弧（2022-2023）&nbsp;