Roofless Way TOGO

cement, wood, mirrors
dimensions variable
2017

From the urban area to the countryside, the long horizon of the later gradually replaces the vertical lines of the buildings along the way. I brought this experience into an abandon roofless cement bungalow in Tu-Go. By building proportional stairs under the walls on two sides of the house, the audience are allowed to go upstairs and get close to the space's remaining “lines.” I inlaid trapezoid mirrors under the walls across each other. The left and right mirrors extend the area infinitely so that the abandoned farmhouse has no other purposes, only remains to learn how to live in the idle countryside. It then leads to a question: How does the kinetic energy in the community development continue to exist between foreign and local, leaving and staying circumstances?


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沿途沒頂

水泥 、木材 、鏡子
尺寸依場地而定
2017

從市區到農村，沿途建物的高低垂直線，逐漸被鄉野綿長的地平線取代。我將此經驗帶進一棟閒置的無頂水泥房。於平房兩側的山牆面構築了一對等比樓梯，讓觀眾隨著腳步走上樓梯，去感受、貼近空間（荒一段時日之後）剩餘的線條。我在山牆的底下分別鑲嵌了一面梯形的鏡子，左右兩面鏡子倆倆相對將空間無限延展，讓廢棄的農舍不做其他用途，而是學習如何在閒散的農村時光中自處，思考藝術作為營造社區的動能是如何在外來與在地，去與留之間持續存在？