dog person

acrylic, fiberglass rod, pet toy ball, cement paint; deceleration motor
site-specific installation
2018

The work's inspiration is from the escape sign above the entrance of the gallery. Before art works arrive in the space, the little green man of the escape sign becomes the only identifiable visual image in the white box, like a bad joke.  I painted the first half of the space with green colour and combined it with a pet toy ball, a motor, and a puppy-running device. With the addition and extension of objects on the exhibition floor, the audience's viewing angle would be continually changing, and the ambiguity further challenges the scene of "viewing" in the field of visual arts.


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dog person

壓克力、玻璃纖維棒、寵物玩具球、水泥漆；減速馬達
依場地而定
2018

作品由空間出入口上方的逃生標誌作為發想，在作品尚未進駐前，小綠人的逃跑身姿便成了白盒子中唯一可辨識的視覺圖像，彷彿一個冷笑話的場景。我將空間的前半段塗滿了大面積的綠色漆料，並結合玩具球、馬達與小狗奔跑的動力裝置，隨著展場物件的添加與延伸，使得觀者在觀看事件的視角不斷變換而模糊，進而挑撥著視覺藝術領域裡，關於「看」的現場。